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It was a lesson we learned pretty quickly of, 'Everything is in flux, and approach it as such. He was filming at this time last year and assembling rough edits of scenes to see what it feels like, and he was inserting our music at that point, rather than using temp music, which is how it usually takes place, apparently. Mara's performance, in particular, was admired by commentators. The censor board has judged the film unsuitable for public viewing in its unaltered form and, while we are committed to maintaining and protecting the vision of the director, we will, as always, respect the guidelines set by the board. The number of theaters slightly increased to 2, Scott , writing for The New York Times , admired the moments of "brilliantly orchestrated" anxiety and confusion, but felt that The Girl with the Dragon Tattoo was vulnerable to the "lumbering proceduralism" that he saw in its literary counterpart, as evident with the "long stretches of drab, hackneyed exposition that flatten the atmosphere". The film similarly led the field in South Africa. The site's consensus states, "Brutal yet captivating, The Girl with the Dragon Tattoo is the result of David Fincher working at his lurid best with total role commitment from star Rooney Mara.

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Dark and tough to watch at times, but a triumph all around. The Girl with the Dragon Tattoo soundtrack "[The instrumental sounds are] processed and stretched and manipulated into a setting where it may sound harmonically familiar, but if you tune into it, it's not behaving in a way that you're accustomed to that type of sound behaving. It was a lesson we learned pretty quickly of, 'Everything is in flux, and approach it as such. Commentators at the event predicted that while the film would become a contender for several accolades, it would likely not become a forerunner in the pursuit for Academy Award nominations. The censor board has judged the film unsuitable for public viewing in its unaltered form and, while we are committed to maintaining and protecting the vision of the director, we will, as always, respect the guidelines set by the board. This caused a bit of confusion in the marketplace with consumers thinking they had obtained a bootleg copy. A revelation in the eyes of Entertainment Weekly 's Owen Gleiberman , he proclaimed that her character was more important than "her ability to solve a crime". Club enjoyed the chemistry between Mara and Craig, [90] as did David Germain of the Associated Press ; "Mara and Craig make an indomitable screen pair, he nominally leading their intense search into decades-old serial killings, she surging ahead, plowing through obstacles with flashes of phenomenal intellect and eruptions of physical fury. He was filming at this time last year and assembling rough edits of scenes to see what it feels like, and he was inserting our music at that point, rather than using temp music, which is how it usually takes place, apparently. I find experimenting around in that is an interesting place to work. Scott , writing for The New York Times , admired the moments of "brilliantly orchestrated" anxiety and confusion, but felt that The Girl with the Dragon Tattoo was vulnerable to the "lumbering proceduralism" that he saw in its literary counterpart, as evident with the "long stretches of drab, hackneyed exposition that flatten the atmosphere". Mara is a revelation, and the film's daunting minute runtime breezes by thanks to one heart-racing scene after the next. The site's consensus states, "Brutal yet captivating, The Girl with the Dragon Tattoo is the result of David Fincher working at his lurid best with total role commitment from star Rooney Mara. The film similarly led the field in South Africa. Mara's performance, in particular, was admired by commentators. The Girl with the Dragon Tattoo received positive reviews from critics, with particular note to the cast, tone, score and cinematography. After discussing with Fincher the varying soundscapes and emotions, the duo spent six weeks composing. The number of theaters slightly increased to 2,

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  1. The Girl with the Dragon Tattoo received positive reviews from critics, with particular note to the cast, tone, score and cinematography. Scott , writing for The New York Times , admired the moments of "brilliantly orchestrated" anxiety and confusion, but felt that The Girl with the Dragon Tattoo was vulnerable to the "lumbering proceduralism" that he saw in its literary counterpart, as evident with the "long stretches of drab, hackneyed exposition that flatten the atmosphere".

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